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Windows users have an elaborate set of conversion settings they can address in menu commands when PDFMaker is installed on Windows. Macintosh users may look for the menus I mention, but they won t find them in OS X. Conversion settings for Macintosh users are much more limited than their Windows cousins and you need to choose your conversion options, as much as can be done, in the Distiller Adobe PDF settings.

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After you finish drawing a path, you can convert it to a selection outline as described in the section Converting paths to selections, or you can paint it. You can paint the interior of the path by choosing the Fill Path command from the Paths palette menu, or you can paint the outline of the path by choosing Stroke Path. In either case, Photoshop applies the fill on the active image layer. The Fill Path command works much like Edit Fill. After drawing a path, choose the Fill Path command or Alt-click (Option-click on the Mac) the fill path icon in the lower-left corner of the Paths palette. (The icon looks like a filled circle.) Photoshop displays a slight variation of the Fill dialog box discussed in 6; the only difference is the inclusion of two Rendering options. Type a value in the Feather Radius option box to blur the edges of the fill, as if the path were a selection with a feathered outline. Select the Anti-aliased option to slightly soften the outline of the filled area. If you simply click the fill path icon without pressing and holding a modifier key, the area within the path is automatically filled with the foreground color. The path, of course, is unaffected and can be moved to a new location and used again.

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Ctrl+Shift+Alt+arrow key Ctrl+drag selection from one window and drop it into another drag with Selection tool arrow key when Selection tool is active Shift+arrow key when Selection tool is active drag selection from one window into another with Selection tool Ctrl+Shift+F

Problem 1.18 (Second- and fourth-order moments) Consider an M x M positive-definite matrix R and introduce its eigen-decomposition (cf. Sec. B.l), R = C,"=, Xiu,u;, where the A, are the eigenvalues of R (all positive) and the U U .are the eigenvectors of R. The uLLZ orthonormal, ~ are i.e., ujut = 0 for all i # j and u:u, = 1. Let h be a random vector with probability distribution P ( h = u j ) = A,/Tr(R).

The center area of the Adjustments panel is full of adjustment presets that you can use or add to create quick fixes for images that are similar in lighting or color. For instance, if you have several photos of the same model under the same lighting, you could adjust the color curves to perfection in the first image, save those settings as a preset, and then apply them to subsequent images. To save a preset, change your settings and click the Adjustment panel menu icon to display the Adjustment panel menu, as shown in Figure 12.6. Choose Save Preset, and give your preset an easily identifiable name. To access the presets, click the appropriate adjustment setting and select a default preset or one of your own from the preset list, as shown in Figure 12.7.

See the Troubleshooting Videos That Won t Play section later in this chapter for more information on MPEG variants.

izer with decision feedback over the two equal weight, symbol-spaced path Rayleigh fading channel of F ( z ) = 0.707 + 0.707~-1for different M-QAM schemes. Both equalisers assume perfect CIR estimation. The conventional DFE had a feedforward order of m = 7, feedback order of n = 1 and decision delay of 7 = 7 symbols. The RBF DFE had a feedforward order of m = 2, feedback order of n = 1 and decision delay of 7 = 1 symbol.Correctsymbolswerefedback.TheRayleighfadingparametersare summarised in Table 8.12.

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